In the PC World Test Center's image-quality tests, the DMP-BD60K handled everything well, from bright colors in Pixar animations to subtle shades of gray in black-and-white cinematography. The opening racing scene from Cars had a superb dimensionality that wasn't there when we viewed it on our reference player, a Sony PlayStation 3; reds looked very red, and wheel treads stood out. Similar details stood out in all of our tests. We noted "lovely detail in the [Vatican] architecture" in a Mission: Impossible III scene (chapter 7), and "excellent detail" in napkins, clothes, and hair in a dinner scene from The Searchers (chapter 4). In another Searchers scene (chapter 20), the night setting looked believably dark, yet the level of detail was so great that we could study John Wayne's bad teeth. The black-and-white opening scene of Good Night and Good Luck showed fine detail in its shades of gray, though one judge felt that the "blacks could be better."

The DMP-BD60K even did a good job of upscaling regular DVDs, although of course no one would mistake them for Blu-ray discs. Colors were well-balanced, and we could see a far amount of detail, including individual beard hairs during a close-up from The Lord of the Rings: The Return of the King (chapter 22). There's a limit to what upscaling a DVD can do, of course; in The Phantom of the Opera (chapter 3), the faces of people far from the camera tended to show some pixelation.

Panasonic's designers made the DMP-BD60K shallow, sleek, and attractive to look at. Thanks to its compact size, the player will fit wherever you want to put it. The Power and Eject buttons are large and well-placed, making it easy to hit the two buttons on the player itself (as opposed to the remote) that you're most likely to use.

Clearly some thought went into designing the programmable remote, as well. The buttons are big, and the ones you're most likely to use are positioned where your thumb can easily find them. The remote isn't backlit, but the playback buttons (Play, Stop, Pause, Skip, and so on) are blue and thus stand out visually.

The on-screen displays seem reasonable at first glance, but become annoying to work with as you go deeper into them. The setup menu explains many of its options, but for such opaque choices as Still Mode (with its Auto, Field, and Frame selections) you must consult the manual). When you press the remote's Display button to obtain information on what you're watching, you get an impressive menu that offers such options as signal information a subtitle toggle--but not elapsed or remaining time, or the current chapter.