Along with a slight megapixel boost from 2 to 3 megapixels and the long-awaited ability to shoot video, the revamped iPhone camera adds a couple of software sidecars that make it an enticing all-in-one option for anyone thinking of buying a new phone, a pocket camcorder, or both. Overall video quality aside (the iPhone 3GS will shoot standard-definition, VGA video only at 30 fps), the new iPhone's editing and sharing features trump anything on board the current slew of HD and standard-definition pocket camcorders.

In the case of pocketable, easy-to-use camcorders such as and the , the key trade-offs are fewer features and lesser overall video quality in exchange for sheer convenience and portability. Most of these bare-bones video cameras have flip-out USB connectors and embedded software that makes sharing clips over YouTube and other services as easy as possible.

With the iPhone 3GS, it looks like handling video about to get even easier for the YouTube generation. Not only can you make basic edits to your clips on the iPhone itself, you can also upload your videos to YouTube (or MobileMe) and share them via e-mail or MMS right from the phone. The only thing more convenient than uploading clips via a flip-out USB connector is being able to do so without any hardware connection whatsoever.

The on-phone video editor is something that no pocket camcorder has at the moment. In the Flip line of camcorders, for example, the FlipShare editing and sharing suite launches when you plug the camcorder into a computer; you can't trim clips directly from the camcorder. Apple simplified the entire process of digital video editing with the , so we expect the on-board video editor to be dead-simple and effective. on Apple's site shows the entire process of shooting and editing a clip.

Long story short, the new iPhone might be a groundbreaking tool for roving reporters and bloggers. It's an all-in-one camcorder, post-production suite, and broadcast tower.