RIAA shifts gears on music piracy, won't file more suits

20.12.2008
In a surprise about-face, the said Friday that it will no longer pursue its of filing large numbers of lawsuits against individuals for alleged music piracy.

But the trade group on its antipiracy campaign.

In a brief document explaining its decision, the RIAA said it now plans to work more closely with ISPs to identify alleged copyright infringers and try to persuade them to stop. Under the so-called graduated response program, the RIAA would notify participating ISPs when it discovers customers of theirs that are engaging in what it claims are illegal downloading activities.

Depending on the specific agreements between the RIAA and individual ISPs, service providers would either forward copyright infringement notices from the RIAA to subscribers or notify customers about the notices and ask them to cease and desist. The program allows for a series of escalating sanctions against repeat offenders by ISPs, such as throttling back their network speeds and eventually terminating their service.

The document released by the RIAA said that the trade group is working with and several leading but unnamed ISPs on the new effort. It added that Cuomo has already asked several ISPs to cooperate with the RIAA.

The RIAA said that record companies would still retain the right to sue egregious copyright infringers. But the strategy of sending out pre-litigation letters asking alleged copyright violators to settle or face legal action will stop, the group said. The RIAA also will no longer file "John Doe" lawsuits in which it lists an IP address and charges the person to whom that address is assigned.

The trade group doesn't plan to drop the that it already has filed against suspected music pirates.

But Ray Beckerman, a New York lawyer who has been defending individuals targeted by the RIAA, said he thinks it is highly unlikely that the existing lawsuits will be pursued with any great vigor in light of the latest development.

"I think [RIAA officials] will realize that there's going to be no point in throwing money into those cases any more," Beckerman said. "The only people who are going to come out of it making any money will be their lawyers."

It isn't clear what exactly may have triggered the decision to stop filing new lawsuits, Beckerman said. But he claimed that it likely has nothing to do with the RIAA's stated new approach of collaborating with ISPs on antipiracy efforts. The trade group already has been working closely with the ISP community, according to Beckerman. "This is just an attempt to save face," he said.

Joel Tenenbaum, a graduate student at Boston University who is fighting an RIAA lawsuit, voiced satisfaction that other people apparently won't have to go through what he has over the past few years. But he wondered why the RIAA still intends to pursue the existing lawsuits. "Now that they've given up the deterrent value of the suit," Tenenbaum said, "are they just after their legal fees?"

He added that the RIAA's planned alternative of working with ISPs to essentially blacklist users accused of music piracy will only further remove "judicial discretion and due process" from the equation.

The move by the RIAA marks the end of a legal strategy that critics claimed was overly aggressive and unfair. Over the last few years, the trade group has filed lawsuits against thousands of individuals -- about 40,000, by Beckerman's count. Typically, the lawsuits were preceded by notices of infringement demanding payments for alleged music piracy and threatening legal action if the recipients didn't pay up.

The RIAA also extensively used "John Doe" lawsuits against the owners of IP addresses linked to alleged illegal downloading, especially in cases involving college students -- a demographic that the trade group targeted vigorously because of what it claims is rampant music piracy in academic environments.

But the RIAA's actions have come under increasing criticism, not only from defense lawyers and digital rights groups but also from some state officials. Last year, for example, Oregon Attorney General Hardy Myers filed court appeals on behalf of the University of Oregon in cases involving RIAA lawsuits.

In his filings, Myers challenged the investigative methods used by the RIAA in gathering evidence against suspected music pirates. Myers also said that the university was unable to identify 16 of the 17 John Does that the RIAA alleged had engaged in music piracy while using computers in their dorm rooms at the university. The AG's legal challenge was considered significant because it came from the state's top law enforcement official, although the university was forced to hand over the names of the students earlier this year.

The RIAA's use of a company named MediaSentry Inc. to gather evidence against individuals in copyright infringement cases also drew criticism from state and university officials who accused MediaSentry of operating as a private investigator without required state licenses.

Apart from Myers in Oregon, MediaSentry's credentials were questioned by the administration at Central Michigan University, North Carolina's Private Protective Services Board and the Massachusetts State Police, which asked the company to cease and desist its investigative activities in that state. MediaSentry's parent company, Belcamp, Md.-based SafeNet Inc., defended itself in September, rejecting contentions that it needed to obtain private investigator's licenses to continue carrying out its work on behalf of the RIAA.

The statutes that the RIAA has used to pursue its lawsuits provide for financial penalties ranging from $750 to $150,000 per song, leaving people who challenged the trade group in court at risk of being assessed crippling damages if they lost. For example, a single mother in Duluth, Minn., named Jammie Thomas was ordered by a federal jury last year to pay the RIAA $222,000 for illegally copying and distributing 24 songs.

In September, that verdict was overturned on a technicality by the trial judge, who ordered a new trial in the case. But the damages award underscored the enormous financial impact that the RIAA's lawsuits could have on defendants.

On the other hand, the judge's decision also handed the RIAA a significant setback: As part of the ruling that overturned the jury verdict, he also rejected the trade group's contention that simply making songs available for download in a shared computer folder constitutes illegal distribution. He was the third federal judge to do so -- a series of rulings that RIAA critics said undermined one of the pillars of its legal strategy.